Eurovision
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Alvan and Ahez’s track Fulenn loses itself in different sounds on its quest to give musical identity to the Breton language it is sung in.
S10’s De Diepte has a contrasting chorus that makes the Dutch language track perfectly digestible.
The Rasmus balance the right amount of rock and pop on Jezebel to make the track enjoyable for all audiences.
Guilty Pleasure won’t trouble Spotify charts and won’t carry much positive momentum into the Eurovision Song Contest either.
If the production on River is tidied up it would be a much classier and memorable listen.
A Ukrainian language song flying the national flag on the world stage is an emotionally powerful statement of sovereignty and pride.
If Tap gets it right then it will be smiles all around. If Tap gets it wrong it really will be back to square one. 2022 needs to count.
The composition of the Disko is tight but it could well become insufferable after a few listens.
